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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Louis Silver"/1) | (@(roleclean,performerclean) "Mr Louis Silver")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5804 results for: Keyword - Mr Louis Silver
We found 4288 matches on Event Comments, 1190 matches on Performance Comments, 535 matches on Performance Title, 90 matches on Author, and 0 matches on Roles/Actors.

1
April 1689 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: The United Company. On 23 April 1689 Luttrell purchased a copy of the Prologue. The broadside copy, with Luttrell's date of acquisition, is in the possession of Mr Louis Silver, Wilmette, Illinois, to whose courtesy I am indebted for permission to use this date. When the Prologue, which is reprinted in Wiley, Rare Prologues and Epilogues, pp. 271-72, appeared in The Fourth and Last Volume of the Works of Mr Tho. Brown (1719), the Prologue has the title: Jo. Haines in Penance; Or, his Recantation-Prologue, at his acting of Poet Bays in the Duke of Buckingham's Play call'd The Rehearsal. Spoken in a white Sheet, with a burning Taper in his Hand, upon his Admittance in to the House after his Return from the Church of Rome. In the Preface to his play, The Fatal Mistake (1691-92), Haines stated: In troth I have Acted Mr Bays so often, and so feelingly, that I could not possibly forbear copying after so fair an Original

Performances

Mainpiece Title: The Rehearsal

2
20 November 1689 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is uncertain, but the Prologue and Epilogue, printed separately, bear a licensing date of 20 Nov. 1689. Luttrell's copy of the Prologue and Epilogue (in the possession of Mr Louis Silver, Wilmette, Illinois, who kindly permits me to use his dating) bears his date of acquisition: 25 Nov. 1689. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 283-85. Dedication, Edition of 1690: The Play had not that Success which it deserv'd....The main fault ought to lye on those who had the management of it. Had our Authour been alive she would have Committed it to Flames rather than suffer'd it to have been Acted with such Omissions as was made....And Lastly, many of the Parts being false Cast, and given to those whose Tallants and Genius's suited not our Authors Intention

Performances

Mainpiece Title: The Widow Ranter; Or, The History Of Bacon In Virginia

3
07 May 1702 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

4
26 November 1735 @ Swan Tavern

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

5
02 January 1692 @ Drury Lane Theatre or Dorset Garden Theatre

Event Comment: A prologue entitled Haynes His Reformation Prologue, Spoke in Black (beginning Thus Cloath'd with shame, which is one step to Grace) was printed in 1692. Luttrell's date of acquisition is dated 2 Jan. 1691@2. This copy is in the possession of Mr. Louis Silver of Wilmette, Illinois, who has graciously permitted me to list it and the date

Performances

6
02 May 1723 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Cartouche

Related Works
Related Work: Cartuoche; or, The French Robbers Author(s): Louis Legrand

Afterpiece Title: The Country House

Afterpiece Title: Hob

7
17 April 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Ephesian Matron

Related Works
Related Work: The Ephesian Matron Author(s): Louis Fuzelier

Dance: HHighland Lass-Miss Robinson

Ballet: TThe Masques. Harlequin Petit Maitre-Essex; Mademoiselle-Mrs Walter; Punches-Thurmond, F. Tench; French Peasant-Houghton; French Peasant Woman-Mrs Delorme

8
20 April 1789 @ Drury Lane Theatre

Event Comment: Mainpiece [C 5, by the Hon. Henry Seymour Conway, adapted from Les Dehors Trompeurs; ou, L'Homme du Jour, by Louis de Boissy; incidental music by Michael Kelly. Prologue by the author. Epilogue by John Burgoyne (see text)]: 1st time at a public theatre. With new Scenes and Dresses. [This was 1st acted on 31 May 1788 at the private theatre in the town house of the Duke of Richmond, which was situated on what is now Richmond Terrace, Whitehall. It was demolished in 1819.] Diary, 16 June 1789: This Day is published False Appearances (1s. 6d.). Receipts: #138 3s. (114.15.0; 22.5.6; 1.2.6)

Performances

Mainpiece Title: False Appearances

Related Works
Related Work: False Appearances Author(s): Louis de Boissy

Afterpiece Title: Miss in her Teens

Song: V: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

9
15 July 1800 @ Haymarket Theatre

Event Comment: 1st piece: In one Act; 1st time at this Theatre [acted 19 June 1784]. 2nd piece [1st time; D 3, by Charles Kemble, based on Le Deserteur, by Louis Sebastien Mercier. Authors of Prougue and Ephlogue unknown]. Morning Chronicle, 1 Aug. 1800: This day is published The Point of Honour (2s.)

Performances

Mainpiece Title: The Tobacconist

Afterpiece Title: The Point of Honour

Related Works
Related Work: The Point of Honour Author(s): Louis Sébastien Mercier

Afterpiece Title: The Flitch of Bacon

10
14 December 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mr Anthony

11
January 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

12
08 September 1701 @ Richmond Wells

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

13
22 February 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

14
01 August 1730 @ Tottenham Court

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

15
24 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

16
15 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

17
11 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

18
20 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

19
27 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

20
01 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

21
05 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

22
26 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Dance: V: A Comic Dance-Daigville, Sga Vidini

23
01 October 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

24
02 October 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

25
28 September 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt